This
post is based primarily on Don's notes, occasionally supplemented with MT's
notes from our cruise in 2019. When information from other sources is added—for
further explanation to readers or to satisfy our own curiosity—that is set off
in a text box (as this one).
Most
of the photos that accompany this post are from Don’s camera (with a caption
indicating the time it was taken); those from MT’s iPhone are indicated by “MT”
placed at the beginning of the photo caption. Photos from any other source (such
as the public domain Wikimedia Commons), occasionally used for clarification,
indicate that source in the caption.
Viking
Daily weather forecast 87°F and sunny.
MT Wednesday, July 31, 2019, 5:18 AM – Koper: sunrise over the Adriatic,
from our balcony.
We
got up before 6 am and at 7 am went to buffet breakfast at World Café at
the aft end of Deck 7, actually eating it outside on the Aquavit Terrace
at the very aft end of Deck 7.While there, we also made the reservation for our
special anniversary dinner in Manfredi’s restaurant at 6 pm Aug 3.
7:26 AM – Koper: MT eating breakfast on Aquavit
Terrace of Viking Star, already docked
at Koper (she was in the process of stealing half of Don’s toast).
7:27 AM – Koper: MT eating breakfast on Aquavit
Terrace of Viking Star, with Koper in
background.
MT 7:14 AM – Koper: Don and MT eating breakfast on
Aquavit Terrace of Viking Star, with
Koper in background.
7:32 AM – Koper: view of Koper, with church tower,
from Aquavit Terrace of Viking Star.
MT 7:13 AM – Koper: view of Koper from Aquavit
Terrace of Viking Star.
At
8:45, we met our tour guide for the (included) Old Koper Walking Tour. For
this and other shore excursions, we each had a QuietVox (QV) audio device
(charged up every night in our room) paired with the guide’s microphone.
Koper (in Slovene, Italian:
Capodistria, Croatian: Kopar) is the fifth largest city (pop. 25,319) in Slovenia.
Located in the Slovenian Istria region in southwestern part of the country, approx.
5 km (3.1 mi) south of the Italian border and 20 km (12 mi) from Trieste, it is
the largest coastal city of the nearly landlocked Slovenia, only one percent of
whose border is a coastline. The city is officially bilingual (Slovene and
Italian). Koper developed from an ancient settlement built on a rocky island in
the northern part of the Adriatic Sea. In 1825, the island was connected to the
mainland by a causeway. However, the reduction of the saltpans, which were
entirely abandoned in 1912, changed the layout of the city, which began to lose
its island character. Land reclamation, by draining the deserted saltpans, extended
the seashore to include the former island.
In Roman times, it was known by
Latin names Capris, Caprea, Capre, or Caprista, from which the modern Slovenian
name Koper stems. Under Venetian rule, starting in 1278, Koper grew to become
the capital of Istria and was renamed Caput Histriae (Latin for Head of
Istria), from which stemmed its ancient Italian name Capo d’Istria and then its
modern Italian name, Capodistria.
Slovenian Istria is a region in
the southwest of Slovenia that comprises the northern part of the Istrian
peninsula. The peninsula is now shared by three countries: Croatia, Slovenia,
and Italy. The peninsula was known to the Romans as terra magica. The
name Istria is derived from the Histri tribe, described as pirates, who lived
in the region and were subdued by Roman legions in 177 BC. With the fall of the
Western Roman Empire in 476, Istria was ruled in turn by the Goths, Byzantines,
Lombards, and Avars. It came under Frankish rule in 789, during the reign of
Charlemagne. In 952, King Otto I of Germany ceded Istria to the Dukes of
Bavaria, It changed hands a few more times until the Republic of Venice gradually
annexed it, starting in 1267. In 1805-1813, during the time of Napoleon, it was
under French rule and then became part of the Austrian Empire. After WWI, Istria
became part of Italy in 1920, and after WWII became part of the People’s Republic
of Slovenia within Yugoslavia. Slovenia became independent in 1991.
Viking map of Koper; key: 1 = Port. 2 = Tito Square. 3 = Praetorian Palace. 4
= Loggia. 5 = Cathedral of the assumption. 6 = St. Justina’s Column. 7 = Carpaccio
Square. 8 = Taverna. 9 = Muda Gate. 10 = Da Ponte Fountain. 11 = Cobbler’s
Street. 12 = Brolo Square [we didn’t go there].
9:06 AM – Koper: old St. Mark’s salt storehouse (rebuilt
several times and now repurposed) near port.
St. Mark’s salt storehouse was probably built
in the early 17th century. It was used to store salt from the nearby Koper salt
pans. Koper was given the monopoly on continental salt import thanks to its
devotion to Venice during its eternal conflicts with Istrian towns. After the
saltpan activity started to decline in the early 20th century and large salt
storehouses became unnecessary, it was reshaped into a tavern. It is known
today as the Taverna (Tavern) and is the venue for numerous events.
Saltmaking is one of the
oldest economic activities on the northeastern shore of the Adriatic Sea, and
salt trade was once an important branch of commerce in the territory of
present-day Slovenia. This trade had a decisive role in the development of
Koper.
Natural salt pans (or salt
flats) are flat expanses of ground covered with salt and other minerals. They
are natural formations, unlike salt evaporation ponds, which are artificial.
Where water cannot drain into the ground or run off, it remains on the surface
until it evaporates, leaving behind minerals precipitated from the salt ions
dissolved in the water. Over thousands of years, the minerals (usually salts)
accumulate on the surface and are a source of mining activities.
9:06 AM – Koper: old St. Mark’s salt storehouse,
with carousel and pillar with statue in small Carpaccio Square.
9:07 AM – Koper: statue on pillar in small Carpaccio
Square (telephoto 119 mm).
Carpaccio Square, located behind
the St. Mark’s salt storehouse, is decorated by the Column of St. Justina,
from 1572, with the Koper coat of arms. The column marks the victory of Venice
in the Battle of Lepanto, in which a galley from Koper took part.
(Our guide said the statue
commemorated the Battle of Lepanto, where Christian forces defeated the
Ottomans. Both sides fought the battle with soldiers aboard ships. This statue
is for the galleon Koper provided. The Ottoman navy never recovered.)
The Battle of Lepanto in
1571 was part of the Fourth Ottoman-Venetian War, Ottoman-Habsburg wars. It was
a naval engagement in which a fleet of the Holy League, led by the Spanish Empire
(including the Habsburg monarchy) and the Venetian Republic, inflicted a major defeat
on the fleet of the Ottoman Empire in the Gulf of Patras, a branch of the
Ionian Sea in western Greece. Although it involved more than 400 warships, the
battle was in essence an “infantry battle on floating platforms.” It was the
turning point of Ottoman military expansion into the Mediterranean.
9:07 AM – Koper: our tour group (including MT
near the tour guide), with carousel and pillar with statue in small square,
with Carpaccio House in background.
9:13 AM – Koper: house with jumbled banner for “Hiša
Carpaccio House Casa” on Carpaccio Square.
Also on Carpaccio Square, at number
6, is a 14th-century Venetian-Gothic two-story house known as the Carpaccio
House. Although it was traditionally said to be the birthplace of the
famous Venetian painter Vittore Carpaccio, it is more probable that only his
son actually lived there in the mid-16th century. This beautiful example of
Gothic architecture with gothic windows on its second floor owes its present
appearance to restorations in 1935 and 1955.
9:14 AM – Koper: other side of St. Mark’s salt storehouse,
with Viking tour group (see QV devices) and other tourists.
Next,
our guide took us to what we thought was the Muda Gate but was actually what
a nearby sign called an “auxiliary gate” in a surviving section of the
old city wall, next to the much larger Muda Gate.
9:25 AM – Koper: auxiliary gate in city wall next
to Muda Gate, from outside.
9:25 AM – Koper: auxiliary gate in city wall next
to Muda Gate, from outside, with more of our tour group; MT at far right near
tour guide holding up red “paddle” or “lollipop” for “Viking Star [tour group]
11.”
9:26 AM – Koper: sign, near Muda Gate, with text
in Slovene, Italian, English, and German.
9:26 AM – Koper: English text of sign by Muda
Gate, which [edited per Italian and German] reads:
“A
walled island town
The
small island off the north coast of Istria, described by the Renaissance
geographer Pietro Coppo as lying three bow shots from land, was first settled
in Roman times, if not earlier. In the Early Middle Ages, the settlement was presumably
on the central part of the island and surrounded by the inner Koper walls. The
settlement eventually grew into the hub [Italian/German: principal/leading
city] of Istria, spreading across the entire island. The centre of the densely
built-up, Medieval Koper was Platea Comunis Square (now Tito Square). The town
was surrounded by the outer Koper walls and connected to the mainland [only] by
a bridge and an embankment [Italian/German: bridge and breakwater/adjacent
wall], protected by the Lion Castle fort. Koper had its ups and downs under
German feudal lords (11th and 12th century), during its time as an autonomous
commune (1186-1279), during the 500-year Venetian rule (1279-1797), under Napoleon
(1805-1813), as part of Austria-Hungary (1797-1805 and 1813-1918), in periods
of Italian (1918-1945) and Yugoslav rule (1954-1991) and, finally, in Slovenia.
Koper remained an island until the 20th century, when it was merged with the
mainland. The town soon outgrew its old boundaries, but the ancient [thousand-year-old]
heritage has been preserved in the old centre.
The
Muda city gate
B[u]ilt
before the Venetians conquered the town in 1279, the outer Koper walls
surrounded the island until the 19th century. After countless repairs and
modifications, the walls finally surrendered to the pressure of the growing
town. Of the twelve city gates mentioned by the humanist Marino Sanudo in his
1483 writings, only the Muda gate survives today. The gate as we know it today
was built in 1516, replacing an older gate [German: that was rebuilt]. It is
clear from its monumental Renaissance form that the gate was a symbol of the
town as well as a [German: daily] control point and toll gate (muda =
toll), while its defensive role was less important. For centuries, the Muda
gate was the only entrance to the town that was accessible via a road across
the salt pans and the sea, so [for centuries] it witnessed a daily hubbub of
farmers, artisans and merchants bringing in their goods [through the gate].
Next to the Muda [city] gate, a small section of the wall with an auxiliary
gate has been preserved. [German: You are heartily invited to] Come and explore
it.”
9:26 AM (CROPPED) – Koper: pictures at top left
of sign with captions in Slovene, Italian, English, and German; English text [edited
per Italian and German] reads:
“1.
18th century view of Koper [top left]
“2.
Aerial view of the modern-day Koper (bottom left]
“3.
1769 plan of the Lion Castle, bridge and the Muda city gate [top right]
“4.
The Muda city gate on a 1907 postcard [bottom right].”
9:26 AM (CROPPED) – Koper: picture at top left of
“18th century view of Koper” showing it as an island connected to the mainland
by a bridge leading to the Muda Gate.
9:26 AM (CROPPED) – Koper: map at top right is of
“Koper – Capodistria … Old town center,” with a green indicator at the bottom center
of the map for “You are here, Where to next.”
9:26 AM – Koper: auxiliary gate in city wall next
to Muda Gate, from outside, with our tour group resting in shade; lady at far
right is reading the sign in Don’s previous photo, which was on the side of the
actual Muda gate.
9:28 AM – Koper: auxiliary gate in city wall next
to outside of Muda Gate, with sign on wall at far right.
MT 9:21 AM – Koper: Don and outside of auxiliary
gate, with Prešern Square in background past the gate.
The Muda Gate (Slovene: Vrata
Muda; Italian: Porta della Muda) is located at the south end of Prešern Square.
Erected in 1516, it is the last of a dozen such entrances to remain standing.
The This was once the main gate of the old city wall, and visitors had to pay a
toll to enter (muda = toll). It was built in Renaissance style, modeled
after an ancient triumphal arch, but with many Venetian influences. It has
numerous heraldic decorations, the most prominent of which two reliefs of the
city’s coat of arms (the face of a youth in a sunburst) on the inner arches. On
its sides are carved reliefs representing the history of the city. Most of the
town walls and gates gradually disappeared in the 18th century, making way for
houses.
Koper: Muda Gate (at right),
with smaller auxiliary gate in section of old city wall to its left; tower of
Cathedral in background (By Earnest B - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=16078498).
9:28 AM – Koper: our tour group, including MT,
going through long passage of Muda Gate, toward the Prešern Square beyond.
9:29 AM – Koper: view, from Prešern Square, of inner
side of auxiliary gate next to Muda Gate.
Koper: view, from Prešern Square, of inner side of Muda Gate and auxiliary gate next to it (By David Bolton from UK - Streets of Koper, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=32258772).
Koper: view, from Prešern Square, of Church of St. Basso (left) near inner
side of Muda Gate and auxiliary gate next to it (By János Korom Dr. from Wien,
Austria - Koper (83)Uploaded by sporti, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=27196901).
9:29 AM – Koper: sign for “Cerkev Sv. Bassa –
Chiesa de San Basso” beside door of church.
9:30 AM – Koper: Church of St. Bassus - facade.
The Church of St. Bassus
(Slovene: cerkev svetega Basa; Italian: chiesa de San Basso) is located in Prešern
Square. It has the function of a chapel of the Parish of Koper-Assumption of
Mary (the cathedral parish). The building, which dates from the end of the 16th
century, at first served as a hospital dedicated to St. Nazarius and was
consecrated as a church in 1706. It was significantly rebuilt in 1731.
St. Bassus of Lucera (ca. 40/50-1118
AD) was a Christian martyr and traditionally the first bishop of Lucera in
Apulia, Italy.
The Prešernov trg (Prešern Square
(also spelled Prešeren), formerly known as Muda Square, is located about 500 m
south of the more famous Tito Square. In the past, it was also called Piazza Da
Ponte, after the fountain it contains. This square, lined with colorful
buildings, definitely looks Italian.
9:31 AM – Koper: Bronze plaque in pavement of Prešern
Square showing the town as an island: Inscription at top “Načrt Kopra Giacoma Fina
yz Let 1619 – Pianta di Capodistria di Giacomo Fino del 1619” (Plan of Koper by
Giacomo Fino from 1619) and at bottom “Obnova Trga -Restauro delle Piazza 1994”
(Restoration of the Square 1994).
9:31 AM – Koper: another angle of Bronze plaque
in pavement of Prešern Square more clearly showing the town as an island: Inscription
at top “Načrt Kopra Giacoma Fina yz Let 1619 – Pianta di Capodistria di Giacomo
Fino del 1619” (Plan of Koper by Giacomo Fino from 1619) and at bottom “Obnova
Trga -Restauro delle Piazza 1994” (Restoration of the Square 1994).
The drawing on which this is based,
dated “Agosto MDCXIX” (August 1619) by “Giacomo Fino” can be seen at http://www.histriaweb.eu/oldsite/photogallery/Copia%20di%20senato%20mar%20fz%20%20223%20ds%201%20%20maglietta.jpg.
We
continued across Prešern Square to the Fontana Da Ponte.
9:31 AM – Koper: looking north across Prešern Square
to Fontana Da Ponte (telephoto 83 mm).
9:30 AM – Koper: Fontana Da Ponte (telephoto 83
mm).
On the north side of the Prešern Square
is the Da Ponte Fountain (Slovene: Da Pontejev vodnjak; Italian: Fontana
Da Ponte), which looks like a miniature version of Venice’s Rialto Bridge. This
fountain dates back to the 15th century, but its current Baroque appearance is
from the 17th century (1666). [The 15th-century date is questionable, since the
stone bridge in Venice would not have existed then.]
Koper: Da Ponte Fountain - south
side (By MrPanyGoff - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=59507989).
An underwater aqueduct, ending in
this square, connected the island of Koper to the mainland as early as the end
of the 14th century, piping water through wooden underwater tubes from a spring
2 miles away. By the 16th century, Koper’s 10,000 inhabitants were facing a
water shortage. The current fountain, rebuilt by Lorenzo Da Ponte, dates from 1666,
replacing an older one on the same site. Its superstructure is in the shape of
a bridge, surmounting an octagonal water basin. Above the basin rises the arch
of the bridge with a balustrade decorated on its south side by three coats of
arms, one of which is of the Da Ponte family. The bridge was further decorated
with four pyramids, each with a sphere on top. At the bottom of the bridge are
four mascheroni (masks), two below each end of the arch, that until 1898
spouted potable water from metal pipes at their mouths to flow into the basin
below. The basin is surrounded by 15 pilasters, each bearing the coat of arms
of local noble families who had contributed funds to the fountain. In addition
to the crests, these pillars were decorated with spheres, fruit baskets, and pinecones
placed on their tops. The purpose of the pilasters was to block access to animals.
In 1990, the square was repaved, and the fountain was extensively restored and renovated.
(Our guide said this was over the
old main water supply.)
Koper: Da Ponte Fountain - north
side, with view of Muda Gate at south end of square (By antonio from Trieste,
Italy - #6 KOPER X70 3-11-2017, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=64675763).
Vienna: Rialto Bridge (By
Enri82ve - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=3301408).
The Rialto Bridge (Italian:
Ponte di Rialto) is the oldest of the four bridges spanning the Grand Canal in
Venice, built from 1588 to 1591. It was preceded by a pontoon bridge in 1181 that
was replaced in 1255 by a wooden bridge that collapsed in 1524. The idea of
rebuilding the bridge in stone had first been proposed in 1503. However, it was
not until 1551 that authorities requested proposals for a new bridge. Plans
were offered by several famous architects but their Classical designs with
several arches were rejected as being inappropriate to the situation. The
design finally selected for the current bridge is similar to the wooden bridge
it succeeded. The stone arch bridge is 8.90 m (29.2 ft) wide, 7.32 m (24.0 ft)
high, and the longest span is 31.80 m (104.3 ft).
Although the bridge on the fountain
is most commonly said to resemble the Rialto Bridge, a local source
(istria-culture.com) says its appearance recalls the Ponte delle Guglie in
Venice.
Vienna: Ponte delle Guglie (By Didier Descouens - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=40155526).
The Ponte delle Guglie (Bridge of the Spires) is one of two bridges that span the Cannaregio Canal in Venice. In 1580, the current stone and brick bridge replaced an earlier wooden bridge built in 1285. It was restored in 1641 and 1677, and was totally rebuilt in 1823, at which time spires were added (two at each end of the bridge). A carved balustrade runs on either side of the pedestrian walkway.
9:37 AM – Koper: Fontana Da Ponte – south side, showing
coats of arms on pillars.
9:38 AM – Koper: Fontana Da Ponte – Latin inscription
on fountain basin that begins “Lavrentivs a Ponte” (apparently the Latin
version of Lorenzo Da Ponte, the designer of the fountain) [the rest is hard to
read] (mild telephoto 72 mm).
9:41 AM – Koper: entrance of building at No. 39; flags of Italy, European
Union, and [Slovenia] in inner courtyard, sign to left of door identifying this
as “Palača Carli – Palazzo Carli” and sign to right, in Italian and Slovene)
for several offices, including Office of the Deputy of the Department of State
of the Republic of Slovenia and Office of the Italian Union of Capodistria/Koper.
The Carli Mansion (Slovene: Palača
Carli ; Italian: Palazzo Carli), on Župančičeva ulice (street) is named after
the family of the historian and encyclopedist Gian Rinaldo Carli, who was born
in it in 1720. It is one of the most important examples of Baroque architecture
in Koper, although some Gothic features are visible in its irregular layout. Its
façade and the interior layout are typically Baroque, although less lavishly
decorated than others of the time. As with many other buildings in Koper, the façade
has a semicircular portal on its ground floor with the relief of a man’s head
at its top. Above the portal is a balcony with balustrade in the piano
nobile (noble floor, the main floor of a large house with the principal
reception and bedrooms), decorated with a three-mullioned lancet window. In its
inner court, decorated with frescoes, is a Gothic fountain from 1418. The
palace was originally the property of the St. Clement Order; it was restored during
the Baroque period (17th century) into its present form.
Still
on Župančičeva ulice, our guide took us into the Piranske Soline store
to taste bread dipped in olive oil and salt, then some chocolate.
9:47 AM – Koper: Window of Piranske Soline store,
with bags of salt and chocolate bars.
Piranske Soline (Piran Salt Pans),
at Župančičeva ulice 39, is one of several stores in Slovenia selling the
products of Soline Pridelava soli d.o.o. (Salt Production Co, Ltd), which is
protecting and preserving the natural and cultural heritage within Sečovlije
Salina Natural Park.
Although the land of the former salt
pans around Koper has been reclaimed to expand the city, the salt pans of
nearby Piran are still in use. Salt from the Piran salt pans is produced according
to a traditional method that is almost 700 years old and only with traditional
tools. The basic process is the natural thickening crystallization of seawater,
in which the salt is collected on a layer of biosediment, called petola,
a few millimeters thick. Workers use traditional wooden scrapers to collect the
salt into piles on a natural slope, where it drains. They are picked up by
hand, loaded onto wagons, and stored.
Piran salt, with a protected
designation of origin, is non-milled, unrefined and of extraordinary taste. The
Piran Salt Shop also sells Temna Čokolada s Solnim Cvetom (dark chocolate
with salt blossom).
Solni cvet (salt
flower/blossom) is the most valuable crop of the Piran salt pans. Its tiny
pyramid crystals of white or pink color are formed only in the wind, since they
are disturbed by the smallest wave. When it is time to pick up a salt flower,
in a thin layer on the surface of the salt fields, the workers gently pick them
up with specially adapted mesh that is wrapped in a wooden frame. Because the
salt blossoms of the Piran Salt Pans are characterized by a high degree of
minerals and a particularly pronounced taste and aroma, culinary experts
acknowledge that it exceeds the quality of the leading varieties of “la fleur
de sel” in the world.
MT 9:49 AM – Koper: Piranske Soline store – bowl of
sea salt.
9:49 AM – Koper: Piranske Soline store - our
guide pointing to old photo with small caption (in Slovene and Italian) that
translates “Panorama of Koper salt pan from second half of 19th century”; old
town of Koper with Cathedral bell tower in background.
From
there, we turned right (northeast) on Čevljarska ulica (Cobblers’
Street) toward Tito Square.
9:47 AM – Koper: Window of Piranske Soline store
(right), with steps up into Čevljarska ulica around corner from small
triangular square.
The Cobbler’s or Shoemaker’s
Street (Slovene: Čevljarska ulica, Italian: Via Calegaria) took its name
from the fact that, for several centuries, many cobblers and shoemakers had
shops on this street. Today, only one shoemaker’s shop remains in Koper, but it
is on that street. Probably the prettiest street in Koper, it preserves a happy
ensemble of two- and three-story shuttered tenements, shops, cafes, and
galleries. The narrow, pedestrianized street leads from a small square with the
Baroque Carli Palace (and the Piranske Soline store) northward to the Tito
Square, entering that square through the portico under the Praetorian Palace on
the south side of the square.
9:50 AM – Koper: continuing up narrow Čevljarska
ulica (MT at bottom left).
9:51 AM – Koper: Čevljarska ulica, leading to
Cathedral.
We
continued up Čevljarska ulica until it led to the portico of the Praetorian
Palace.
Koper: south side of portico of Praetorian Palace, leading from Čevljarska
ulica into Tito Square with Cathedral (By Ced007 - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=24800510).
Koper: view back to south through portico of Praetorian Palace, into Čevljarska
ulica (By János Korom Dr. from Wien, Austria - Koper (49)Uploaded by sporti, CC
BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=27196860).
The center of the old city is Tito
Square (Slovene: Titov trg), named after the former despot of Yugoslavia. The
construction of this square started in the 13th century and continued until the
middle of the 17th century. It is an austere piazza surrounded by the
Praetorian Palace, Loggia, Cathedral of the Assumption, Campanile, Foresteria
(a “hotel” for distinguished guests from Venice), and Armeria (the former
municipal armory). The sharp Gothic arches of the buildings around the square
give it an impressive appearance.
9:57 AM – Koper: Praetorian Palace, main (north)
facade.
The 15th-century Praetorian
Palace (Slovene: Pretorska palača; Italian Palazzo Pretorio) is located on the
south side of Tito Square. It was built from two older, 13th-century houses
that were connected by a loggia.*The current palace, with its crenellated façade
and elegant loggia,
stands as evidence of the city’s once great power. Originally a Romanesque
building, the palace was rebuilt many times, and then finished as a Venetian
Gothic palace. The palace consists of two main wings and may remind one of the
Palazzo Ducale in Venice. With its external staircase, two towers, a crenellated
roofline, and crests on the façade, it is the most important profane architectural
structure in Koper.
An earlier municipal hall existed
at the same site by 1254, before the square itself (then called Platei Comunis)
was established around 1268. Alter that original building was destroyed during
a major revolt in 1348, work on a new building began, but the incomplete
building was again destroyed by a Genoese raid in 1380, The current structure
dates from the mid-15th century, having been begun in 1452-53.
The left wing and the portico
leading from the square to the Čevljarska ulica were the first to be completed,
while the right wing dates from the 1480s. In 1505, the Porto del Corte was
added; this Renaissance gateway supports a small terrace and connected the
Praetorian Palace with the Foresteria. The external staircase facing Tito
Square was completed in 1447. In 1481, peaked Gothic windows were replaced with
semicircular Renaissance ones. (except in the left wing and the upper floor of
the right wing) The balustrade over the portico was not completed until the beginning
of the 16th century. The center of the crenellated roof of the facade features
a statue of Justice. Just below that statue is a relief of the winged Lion of
Venice. The palace was a potent symbol of the power of the Venetian Republic,
which then ruled over Koper, and was the seat of the mayor, who was appointed
by the Venetian Doge. The main façade took its present shape in 1664, when a
thorough renovation added Baroque elements and the crenellated roofline and rearranged
the numerous plaques and coats of arms set into it.
Koper: Praetorian Palace – top
of center section with statue of Justice and relief of Lion of Venice (By
Verity Cridland - Koper Palace (2), CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=61397949).
The fall of the Venetian Republic
to Napoleon in 1797 caused the palace to lose much of its importance, since the
government bodies that had met in it were now defunct. During Austrian rule,
all governmental functions were moved to the nearby Armeria (armory). The
palace continued to gradually decay until it was rehabilitated in 1968-69 and a
restaurant was opened on the ground floor. After a more thorough renovation
between 1991 and 2001, the palace was restored to its historic role as city hall.
The palace now houses the offices of the Koper city mayor and municipal
council, as well as the local university, a pharmacy, and a wedding hall.
* A loggia is an architectural feature that is a covered exterior gallery or corridor, usually on an upper level, or sometimes ground level. The outer wall is open to the elements, usually supported by a series of columns or arches. Loggias can be located wither on the front or side of a building and are not meant for entrance but as an outdoor sitting room.
9:57 AM – Koper: Praetorian Palace, main (north)
facade.
10:35 AM – Koper: Cathedral main (west) façade and
bell tower.
The Cathedral of the Assumption
of the Blessed Virgin Mary (Slovene: Stolna cerkev Marijinega
vnebovzetja), also known simply as Cathedral of the Assumption or Koper Cathedral,
is located on the east side of Tito Square. It was built in the second half of
the 12th century in Romanesque style, with three naves, each ending with an
apse. It sits on the east side of Tito Square, on the site of an ancient Roman
basilica. It is the largest cathedral in Slovenia. Until 1392, the church underwent
changes and additions, which also led to a change in style; the western façade is
clearly Gothic. After an earthquake in 1460, the façade was redesigned in 1488,
adding Renaissance elements. In the early 18th century, when Koper was under
Venetian influence, the interior architecture was again transformed in the
Baroque style. The exterior is an odd amalgam of a Gothic lower story and
Lombardy-style upper story (completed a century later than the lower part).
The bell tower (Slovene:
Mestni stolp), 43 m tall with four stories, follows the style of an Italian
bell tower, and it has one of the oldest bells in Slovenia (from 1333). It once
doubled as a watchtower, with excellent views of the town, coast, and
hinterlands.
10:35 AM – Koper: sign about “The Bell Tower (the
Town Tower) and the Oldest Functioning Bell in Slovenia (1333)” with text in
Slovene, Italian, and English; English text [edited per Italian] reads:
“The
town tower, whose original structure exhibits all characteristics of fortified
Romanesque architecture, was purportedly built as early as in the 12th c [but
cannot be dated certainly].
“Certainly,
it was reconstructed between 1418 and 1480. As early as during the period of
the Patriarchate of Aquileia*, it was used as a fortified defence point, and
preserved such a function also in the initial Venetian period. On its southern
side, the arcaded bridge [bridge with arch] connected it with the Vidame Palace
[Italian: palazzo dei vicedomini (palace of the vice-consul)**], which
overlooked the passage between the main square and Brolo [Square].
“The
quadruple openings on the fourth [fl]oor most probably date from the 17th c.[,
j]ust like the pyramid spire on the [its] polygonal base modeled upon the Aquileian
style of belfry. The large clock [placed halfway up the bell tower] was most
likely made in 1463. The entrance door was reached via stone steps from which
the municipal herald summoned the townspeople to announce [the] podesta’s
[mayor’s] proclamations. Dating from 1333, the big bell is the masterpiece of
the master Jacob’s [Italian: Giacomo] foundry; at the end of the 15th c., it
was referred to by the historian Marin Sanudo. Throughout the centuries, the tower
bells determined the rhythm of the town life, calling people to mass, work or
rest as well as announcing death, fires, storms, diseases, fog and threats of
war. Entirely renovated a few years ago, the tower offers a beautiful view of
the town and its environs. Its height makes it an excellent signpost marking
the town center.”
The
English part of the caption under the photo (also in three languages) reads: “The
Cathedral of Mary’s Assumption and St. Nazarius with the city Tower, today the
Bell Tower.”
Callouts
within the photo show the height of the top of the spire as “54 m” and of the platform
at the base of the octagonal top section as “43 m”; the English part of the callout
above the ball at the left (in three languages) reads: “The oldest functioning
bell in Slovenia from 1333.”
* The Patriarchate of Aquileia
was an episcopal see in northeastern Italy, centered on the ancient city of
Aquileia at the head of the Adriatic Sea. In the 4th century, the city was the
chief ecclesiastical center for a region that included Venice and Istria. In
553, the bishops of northern Italy, including those of Venice and Istria, broke
off communion with Rome, and the bishop of Aquileia assumed the title of Patriarch.
In 698-99, Old-Aquileia reconciled with Rome, and the Pope granted the pallium
to the Patriarch in 723. In the 14th century, the Patriarchate had to face the
increasing power of the Republic of Venice. In the 15th century, it suffered a
series of inner strifes that in 1411 turned into a war that marked the end of
the Patriarchate by 1420. After 1445, only Venetians were allowed to hold the
title of Patriarch of Aquileia. However, the Venetian claim to the nomination
of the Patriarch had met with an Austrian counter-claim since the 15th century,
when Austrian dioceses were included within the jurisdiction of the
patriarchate. Finally, in 1751, the Pope suppressed the patriarchate into two
archdioceses, one for Venetian territory and one for the Austrian. All that
remained of the ancient patriarchate was the parish church of Aquileia, built in
Romanesque-Gothic style.
** Vidame was a
feudal title in France. The French term derived from the medieval Latin vicedominus.
The vidame was originally a secular official chosen by the bishop of a diocese—with
the consent of the court—to perform functions on behalf of the church’s earthly
interests that are not appropriate for religious officials. However, the
vicedominus was at the outset an ecclesiastical official who acted as the
bishop’s lieutenant or vicar.
10:13 AM – Koper: Cathedral – view from rear of
central nave to main altar in apse (MT in aisle in foreground).
10:14 AM – Koper: Cathedral – main altar in apse.
10:15 AM – Koper: Cathedral – pulpit on left side
of central nave.
On
the north side of Tito Square was the Loggia.
Koper: Loggia – façade (By
[[User:RicciSpeziari| Photographer: Riccardo Speziari]] - Own work, CC BY-SA
3.0, https://commons.wikimedia.org/w/index.php?curid=21027317).
Opposite the Praetorian Palace, on
the north side of Tito Square, is the 15th-century Loggia Palace
(Slovene: Loža; Italian: Palazzo della Logia), sometimes called simply Loggia.
It is the only preserved Gothic town hall in Slovenia, with its striking
Gothic-style lancet arches. Built on the site of an earlier palace from the
13th century, this is another building from the time of Venetian rule. The earliest
part of the existing building dates from 1462, but in 1553 it received the form
we see today. After the outbreak of the plague in 1553-55, the façade was
decorated with coats of arms, and a terracotta statue of the Madonna and Child
was built in a niche above the left corner column. Further large works were
carried out in 1698, when a second floor was added, and the façade was extended
by two more arches. Today, a café occupies the ground floor. Koper’s first
coffee house, Caffe della Loggia, now called simple Loggia, was established in
1846; an art gallery is on the second floor.
Koper: Loggia – west and
south sides, with statue of Madonna and Child on corner pillar (By Stephen
Colebourne from London, UK - Koper, SloveniaUploaded by sporti, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=27179260).
Koper: statue of Madonna and
Child on left corner of Loggia, with Cathedral and Praetorian Palace in background
(By TICKoper - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=44409969).
10:21 AM – Koper: Loggia – statue (protected by
metal screen) of Madonna and Child on corner pillar (telephoto 93 mm).
This
shore excursion lasted only until 10:30, although it was scheduled up to 11:15.
10:41 AM – Koper: Viking Star at port north of
the old town.
Around
noon, we went to lunch at the Viking Star’s Pool Grill and has seared
ahi tuna (which they seemed to offer every day). Then we relaxed in shaded deck
chairs near the pool. Mt read her book; Don wrote notes on photos in is
notebook and then read in his new guidebook for Greece.
At
2:15, Don went to run on the track around Deck 2 (4 laps – 1 mile) and did 4
miles.
After
Don showered, MT wanted to show him where we could get gelato (Italian ice
cream) in the World Café, but we found out they were only open from 11 am to 3
pm for lunch.
At
5:15, we went to the Port Talk for our next stop, Zadar, Croatia. After
the general introduction, we unfortunately had to listed to details of 7 optional
shore excursions before getting to our (included) Zadar Walking Tour.
At
6:30, we went to the Pool Grill for the Seafood Buffet that was
listed in our Viking Daily newsletter. It was very good, after we found out
that the first serving line was only for appetizers (two kinds of shrimp, crab,
and bread). After the meal, we asked about dessert, and the waiter told us to
check at the World Café, where we found the gelato (we both had one dip
of vanilla and one of chocolate chip).
Then
we went to the Explorer Desk (customer service/concierge) on Deck 1 and found
out how to get WiFi on Don’s Android phone (MT already had it on her iPhone).
On
the way back to our room, we discovered the launderette on the other side of
Deck 4 from our room. It was FREE and had 3 washing machines (which
automatically dispensed soap) and 3 dryers. So MT did 2 loads (light and dark) of clothes we
had worn so far.
At
9:15, we went to the Captain’s Reception in the Star Theater at
the forward end of Deck 2. The Captain introduced the senior officers in charge
of various parts of the crew. After a Champaign toast, a band played, and the
cruise director Jenna sang.
The
Viking Daily said all passengers needed to be back on board at 5:50, as Viking
Star prepared to sail for Zadar, Croatia (170 nautical miles).















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